Ghosts or Double Exposures ?
Nothing similar in the family albums but in this family theatre program are some ghosts of a different kind on the stage of the Comedy Theatre in Melbourne in 1945. The ghost in question is the spirit of a man’s first wife who turns up after a seance. She can be seen (and heard) by the husband but not by the second wife or anyone else.
And of course the play is Blithe Spirit by the witty and cheeky Noel Coward. Wikipedia reminds us that ” the play concerns the socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant, Madame Arcati, to his house to conduct a séance, hoping to gather material for his next book.
The scheme backfires when he is haunted by the ghost of his annoying and temperamental first wife, Elvira, after the séance. Elvira makes continual attempts to disrupt Charles’s marriage to his second wife, Ruth, who cannot see or hear the ghost.”
But there are many more twist and turns before the end.
Perhaps they should have staged the show a block away in The Princess Theatre which has its own resident ghost, that of a baritone playing in Faust who died just off stage in 1888.
In May 1945 Australia was still at war with Japan and the Military Hospital in the suburb of Heidelberg was very busy. The hospital had a theatre and with a replica Blithe Spirit set constructed the whole cast was able to pile into a bus and go to Heidelberg to put on the show one afternoon.
With patients, bed cases and staff there was no standing room left, with some patients needing to sit in the orchestra pit. A most appreciative audience.
Meanwhile just across the road from the Comedy Theatre was His Majesty’s Theatre which that same year staged The Desert Song with Max Oldaker and his interpretation of The Red Shadow which I wrote about in a previous post
Also in 1945 a film was made of Blithe Spirit with Rex Harrison as the male lead and the wonderful Margaret Rutherford as Madame Arcati who conducts the seance.
Australian TV viewers might see a slight overlapping of the theme with the recent ABC production of “Glitch” where the fortunate/unfortunate husband has both his living and his dead wife in his life at the same time.
Whereas Noel Coward was strictly for the laughs, Glitch is a serious look at the “what if” situation. It has been described as an Australian Gothic and much of the shooting was done on summer evenings in my old home towm, the old gold town of Castlemaine in Central Victoria.
Further connections to ghosts and double exposures can be found in this week’ Sepia Saturday post.